Wednesday, May 6, 2015

Blackalicious emcee to play Flux Capacitor Thursday

Posted By on Wed, May 6, 2015 at 12:27 PM


Flux Capacitor is rapidly establishing itself as Colorado Springs’ "little venue that could." Less than six months after opening, the alternative music space has been bringing in several all-ages shows a week, most of them featuring national touring artists, while showcasing a broader range of music than many of us expected.

Now comes the good news that Gift of Gab, emcee for the hip-hop duo Blackalicious, will be headlining the venue this Thursday night.

It’s a pretty big score for Flux Capacitor, and for Colorado Springs in general. The Bay Area rapper is widely regarded as one of the best in underground hip-hop, with Pitchfork drooling over his “astonishing verbal dexterity and enunciation.”

And just in case you think this booking is a fluke, you should also know that Rhymesayers artist Blueprint is slated to play Flux Capacitor on June 19.

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Thursday, April 23, 2015

Riot Fest goes rodeo

Posted By on Thu, Apr 23, 2015 at 5:57 PM

  • Pramega/Shutterstock
The perennially nomadic Riot Fest today unveiled the location and date of its 2015 festival, which will be held at Denver’s National Western Complex from Aug. 28-30.

While this year’s lineup won’t be announced until May, those who want to take a leap of faith can purchase $69.98 presale tickets starting tomorrow at noon. Given the quality of the two previous years’ acts — including The Replacements, The Cure, Die Antwoord, Wu-Tang Clan, Weezer, Flaming Lips, Rocket From the Crypt, Iggy Pop and Slayer — it should be money well spent.

It’s also a reasonably safe bet that the event won’t have to change locations this year, as it did when the bite-sized town of Byars — which had hosted 2013’s inaugural festival — made an eleventh-hour decision to pull the plug. Promoters managed to save the event with a last-minute relocation to the less-than-ideal parking lots outside Sports Authority Field at Mile High.

Although best known as the site for the Denver County Fair, the National Western Complex also plays host to the Great Western Alpaca Show, Tortillas for Tepeyac, Foam Wonderland, Brazilian Jiu Jitsu and Submission Grappling, and the much-anticipated Rocky Mountain Reptile Expo.

In keeping with its new location, this year’s event has been dubbed Riot Fest & Rodeo, and will feature a host of thematically linked attractions that may or may not include blood and clowns.

Find more information as well as early bird tickets at

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Monday, March 23, 2015

SXSW: ‘Assholes, yellers and screamers’

Posted By on Mon, Mar 23, 2015 at 6:27 PM

  • photo by Luis Molinero/Shutterstock

South By Southwest came to a close this weekend, just like many of the cordoned-off streets in downtown Austin, where careening pedicabs transported attendees from far-off parking spaces to more than 100 venues, all in pursuit of musical enlightenment and Facebook fodder. We’ll have a detailed wrap-up in next week’s issue, but in the meantime, here’s one last blog post on SXSW 2015.

Although weekend panel attendance benefited from an influx of actual Austin natives not having to work, that was largely counter-balanced by severe hangovers and considerable rain. One of Saturday’s most well-attended sessions was, predictably enough, “Power Networking in the Music Business,” where Emily White, cofounder of a crowdfunding platform called Dreamfuel, advised the gathering of ambitious musicians and aspiring moguls to collect at least five business cards when attending any business or social gathering.

White is also partner in a management agency and took issue with people characterizing managers as “assholes, yellers and screamers.”

Quiana Conley, who has directed music publishing and management companies representing clients from Beyonce and T-Boz to Taylor Swift and Motorhead, vouched for the fact that her co-panelists were nice people and said that the musicians in the audience should also strive to be nice. “But maybe you’re just not nice,” she added, in which case “you should get others who are nice people to represent you.”

The panelists who participated in “What Is Record Production and Why Do You Need It” also seemed very nice, even as they talked about sharing co-production credits with artists who had no idea what a producer actually does. They also discussed the challenge of translating musical intentions into all-too-vague words: “If you like something because it’s shiny,’ wondered UK producer Tarek Musa, “what does shiny mean?”

Stewart Lerman, a Grammy winner who’s worked with artists like Elvis Costello and Regina Spektor, echoed the concern: “I’ve never heard an artist say, ‘I’d like to make a record with a small sound that’s brittle and really annoying.”

Of course, sounds that are big and really annoying were easily found, thanks to the numerous Tom Waits impersonators performing in Sixth Street bars, their gravely voices and over-the-top theatrics approaching minstrel-show proportions. (Something has to be done about that, but no one knows what.)

Thankfully, all that was offset by a historic closing-night event at the Paramount Theatre where, at one point, more than four dozen incredible musicians were onstage together. More on that in next week’s issue.

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Saturday, March 21, 2015

SXSW: Twin Peaks, Turtles, and crowd-surfing kangaroos

Posted By on Sat, Mar 21, 2015 at 11:47 AM


If you're in a room full of lawyers listening to a panel full of lawyers — as they discuss a case that could dramatically change the way the music industry operates — one thing you don't want to do is misquote them.

So let's save our fastidiously-transcribed and legally-vetted quotes from "Unhappy Together: The Turtles with Sirius XM" for the upcoming SXSW wrap-up feature in our print edition.

For now, suffice it to say the musicians behind much-loved '70s hits like "You Know She'd Rather Be With Me," Elenor" and, of course, "Happy Together," sued the satellite giant for refusing to pay royalties on recordings that were released before 1972.

Late last year, The Turtles won judgements from federal courts in New York and California — thanks, in large part, to attorney Henry Gradstein, who argued the case in court and also dominated the discussion at SXSW.

The appeal process will, of course, live on, perhaps longer than the musicians. But assuming they prevail, it will mean a monetary windfall for musicians and an equally major financial blow to streaming music services and even that old-school terrestrial classic rock station you occasionally listen to in your car. A more serious subject, perhaps, than panels like "Rockin' SXSW in Four Hours," but ultimately more important as well.

On last night's live music front, Courtney Barnett deftly demonstated why she's Australia's most currently celebrated rock singer-songwriter, with a set that suggested an electric guitar-wielding Patti Smith with more rousingly accessible choruses and a couple of nice left-handed feedback solos.

"Now it's like a real festival," said Barnett, as a yellow inflatable kangaroo bounced above the crowd. From there she launched into the evening's loudest song, complete with the regionally appropriate chord progression A-C-D-C. But the biggest crowd-pleaser was definitely her signature "Avant Gardener," which she introduced as "the reason some of you may have heard of us." It also remains the most catchy song about a potentially life-threatening medical condition in recent memory, complete with singalong "I'm having trouble breathing" chorus.

Later that night in rain-drenched Austin, Broncho frontman Ryan Lindsay also sounded like he had trouble breathing, although that's more likely because of a helium-affected vocal style that made The Buzzcocks' Pete Shelley and Material Issue's Jim Ellison sound like deep Paul Robeson baritones.

But as the shoegazer-inclined Oklahoma band performed material from its recent sophomore album, Just Enough Hip To Be Woman, the bathrobe-clad singer-guitarist began looking less like a tormented Kurt Cobain and more like a rock musician having fun. And by the time he launched into the stuttering falsetto chorus of the closing "Class Historian," Broncho proved themselves to be a band worth standing in the rain for.

That was all the more true of Twin Peaks, the Chicago band who started out as high-school students in 2009 and now have two critically applauded albums under their belt. In fact, the group's late-night performance proved to be more powerful and varied than the vast majority of contemporary bands who wear their garage-rock hearts on their sleeves. With three of the five band members alternating as lead vocalists, many of their songs shifted gears unexpectedly and dramatically, while their skillful writing and rock arrangements at times recalled The Replacements in the more sober moments of their Let It Be tour. And unlike Broncho, Twin Peaks don't sound even remotely like anything their David Lynch-derived namesake would embrace. And for fans of loud, smart rock and roll, that was totally fine.
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Friday, March 20, 2015

SXSW takes on Colorado, Sheboygan and Anakin Skywalker

Posted By on Fri, Mar 20, 2015 at 12:51 PM

  • Altas did Denver proud at the Colorado Music Party

The music industry loves to talk about itself — who doesn't? — and that becomes more than apparent during SXSW's daytime panel offerings. Thursday's sessions ran the gamut from "Beethoven to Beyonce: The Science Behind a Hot Beat" to "How to Fill a Club When You Play Sheboygan."

The majority of these panels are geared toward record industry insiders and career-motivated artists, who are really the only people incentivized to venture out into daylight after long days and nights of musical debauchery.

"New bands come up to me and say, 'We need a publicist," recounts Ken Weinstein, owner of the prestigious Big Hassle agency. "And, in most cases, I tell them, 'No, you DON'T need a publicist. What you need is to get in that van and play. And then call me in a year. Or two."

With repeated apologies to the Wisconsin town that inspired the panel's name, Howard Wuelfing of Howlin' Wolf Media led his fellow publicists in a discussion of tertiary markets, places where musicians can put still put the word out through locally originating podcasts, Yahoo groups (!) and record stores "where they still exist," as Rounder Records publicist Regina Joskow put it.

In another panel, "AES Platinum Producers & Engineers," the topics of the hour ranged from technical talk to overall commentary on the industry's increasing instability. Recalling his personal excitement about digital downloading as a way to hear everything, panelist Eduardo Cabra went on to talk about how he eventually became aware of the long-term consequences.

"It's like the Latin industry found Anakin Skywalker and then Anakin went to the dark side, and now Luke has to come and save us." Exactly how that'll happen is still anyone's guess. "I really don't know why I'm talking about Anakin and Luke Skywalker," he joked as the metaphor began to wear thin.

As for Thursday evening's musical performances, many fell into the not-unexpected categories of exuberance, disappointment and revelation that SXSW is known for. The Brothers Landreth, who'd just received a Juno Award (which will forever be described as the Canadian equivalent of a Grammy) may have celebrated just a little too much, as they messed up the opening bars of Paul McCartney's "Let 'Em In." From there, the going got much easier, as the bluesy Americana act eased into a more surefooted rendition of their Canadian hit "I Am the Fool," a song they borrowed from their dad, musician Wally Landreth. ("Hey, old man, YOU'RE not using it.")

Elsewhere, neo-soul newcomer Leon Bridges filled a cavernous space called the Hype Hotel, showing why he's becoming the Next Big Thing among Daptone-revering R&B fans. Bridge's eight-piece band — which included two excellent backing vocalists and a sax player who would occasionally venture into overly loungey terrain — sometimes reached the point where a polished performance becomes a lackluster performance, but there's no doubt that the understated soul man at front and center is the real deal.

Later in the night, Wyclef Jean took things in the opposite direction, blasting the crowd with hyped-up renditions of songs that were, in som cases, approaching drinking age. Among them were the obligatory Fugees hit "Killing Me Softly" as well as a take on "No Woman No Cry" in which Wyclef went on about his taste for marijuana and resulting negotiations with a drug-sniffing dog. ("They brought Mister German Shepherd to talk to me...")

Later still, Death Valley Girls, a retro-punk band who've garnered comparisons to The Flesheaters and Mo Tucker, offered off-key unison vocals that showed they need to take serious lessons from bands like The Mutants.

Fortunately, the night's true revelation was right across the street at the Colorado Music Party, with a 1 a.m. set Altas. If they were from Europe or Asia instead of Denver, Altas would be worshipped by fans of German trance bands like Can and American post-rock groups like Tortoise. And while a microphone loomed at the front of the stage, which would have allowed that tremendously appealing instrumental soundscapes to be spoiled by disappointing vocals at any moment, THEY NEVER USED IT! Instead, the five musicians stared at their instruments — or into a space halfway between them and something no one else could see — and delivered what was, for me, the most unexpectedly brilliant set of the night.
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Thursday, March 19, 2015

SXSW: Life of the parties

Posted By on Thu, Mar 19, 2015 at 8:03 PM

"Is everybody having a good South By thus far?" asks The Family Crest's keyboardist-flautist Laura Bergman before an enthusiastic crowd at downtown Austin's sweltering Clive Bar patio.

Barring some as-yet-unheralded new British Invasion, her's was most likely the only case of Shakespearean English slipping into the stage patter during today's South by Southwest Festival, where the unofficial parties start earlier and earlier each year.

San Francisco's newish orchestral-pop septet — who were chosen as NPR Music's "Favorite New Band of 2014" — also provided what were conceivably the the most transcendent moment of the afternoon's musical celebrations, particularly during the near-operatically ambitious title track to last year's Beneath the Brine album. Factor in a cellist, violinist and trombonist (alongside the usual rock instrumentation) as well as the occasionally Poe-faced lyric ("Now the dark is nigh, and she lays here at my side"), and this might all start sounding a little pretentious. But the band's wide-eyed enthusiasm and self-deprecating manner make it just the opposite. It also doesn't hurt that Liam McCormick is a phenomenal vocalist on a par with Jeff Buckley.

This afternoon's show was one of four SXSW appearances The Family Crest will be making this week. Other repeat performances included The Ting Tings (who at times gravitated toward more Deee Lite-style electro-funk than their tinselly pop albums might suggest), British hip-hop newcomer Little Simz (who raps fast onstage than she does on record), and Barcelona's Macaco (whose frontman Dani Carbonell made his name in flamenco music but is now trafficking in more Train-like acoustic pop).

In addition to the proliferation of daytime showcases, there were still more than 50 panels to choose from today. More on those tomorrow, but in the meantime, there's still a full night of music ahead.

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Wednesday, March 4, 2015

Members of The National to play free show Thursday

Posted By on Wed, Mar 4, 2015 at 6:13 PM

  • Lanzendorf Experiment today at Shove Chapel

Music fanatics love to brag about their “I was there” moments:

“The Promise Ring gave me a group hug after a really emotional house show in Detroit.”

Or, “James Murphy was crashing on my living room floor when he wrote ‘Losing My Edge.’”

Or maybe “I saw three members of The National play for free at Packard Hall.”

You can make at least one of those things come true this Thursday evening, when the band Lanzendorf Experiment — featuring National members Scott Devendorf, Bryan Devendorf, and Ben Lanz — play the Colorado College venue at 7:30 p.m.

Meanwhile, Fuel/Friends blogger and Chapel Sessions curator Heather Browne — who’s had more legitimate “I was there” moments than the rest of us combined — spent some time with the group this afternoon at Shove Chapel.

"Today's session was an open rehearsal for the band," she says, "but the tapes were rolling and the video camera capturing, so we might see a sneak peek as a non-traditional Chapel Session on Fuel/Friends."

Browne says the Lanzendorf Experiment may also release the full session recording at some time in the future.

You can go here to find more details on the show, which will also be live-streamed here. (Although watching a show on your computer isn't be all that much to brag about.)

And finally, you can go here for a 15-second teaser from the Shove performance. It sounds a whole lot to me like they’re covering Joy Division’s “Transmission,” but I wasn't there.

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Thursday, January 29, 2015

Mighty Diamonds and Pato Banton battle it out tonight

Posted By on Thu, Jan 29, 2015 at 6:52 PM

The Mighty Diamonds
  • The Mighty Diamonds

Je suis irie! In what can only be described as a random act of Jah, two internationally famous reggae acts are simultaneously performing across town from each other in Colorado Springs tonight.

With virtually no publicity, The Might Diamonds will be playing what amounts to the stealth gig of the year at Spice Island Grill, the tiny Jamaican restaurant located at 10 N. Sierra Madre Street.

Meanwhile, Pato Banton, who's best known for his collaborations with UB40 and the English Beat's Rankin' Roger, will be at the Mighty Culture Sports Bar at 2355 Platte Place.   

With Bob Marley's 70th birthday just a week away, expect to hear a whole lot of Wailers songs at both.

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Wednesday, January 28, 2015

Philharmonic announces 2015-2016 schedule

Posted By on Wed, Jan 28, 2015 at 12:03 PM

  • Colorado Springs Philharmonic
Today, the Colorado Springs Philharmonic revealed the lineup for its coming season (complete with a video, here):

El Pomar Foundation Masterworks
Rachmaninoff 2nd Concerto: Sept. 19-20
Shostakovich 10: Oct. 10-11
Dvorak 7: Nov. 14-15
Russian Masters: Jan. 23-24
Mozart and Mahler: Feb. 20-21, 2016
Doctor Atomic: April 16-17, 2016
Beethoven 9: May 21-22

Vanguard Performances
Scheherazade: Oct. 17
An American in Paris: March 12, 2016
Wagner: The Tristan Effect: April 23, 2016

Philharmonic Pops
Centennial Sinatra: Sept. 25-26
Star Wars: The Music of John Williams: Oct. 30-31
Country Legends: Jan. 8-9, 2016
Warner Bros. presents Bugs Bunny at the Symphony: Feb. 5-6, 2016
Comedy Tonight: March 4-5, 2016
Rhapsody in Blue: May 13-14

Holiday and Special Events
The Music of Pink Floyd: April 2, 2016
The Nutcracker: Nov. 27-29
Christmas Symphony: Dec. 20
New Year's Eve: Dec. 31

The Colorado Springs Philharmonic is pleased to announce its 2015-16 season. Highlights include world renowned soloists; a world premiere in April 2016 with composer Larry Alan Smith; The Music of Pink Floyd; and a new 7:30 p.m. start time for all evening performances.

El Pomar Foundation Masterworks opens the season with Rachmaninoff’s Piano Concerto No. 2, conducted by Josep Caballé-Domenech. Classical music lovers will hear Shostakovich’s Symphony No. 10, Dvořák’s Symphony No. 7, Prokofiev’s Piano Concerto No. 3, Mozart’s Piano Concerto No. 22, John Adams’ Doctor Atomic Symphony and Beethoven’s Symphony No. 9. Soloists include pianists Joyce Yang, Conrad Tao and Andrew Staupe, vocalist Jessica Rivera, violinists Michael Hanson and Elina Vähälä.

More engaging than ever, Vanguard Performances include three concerts with an in-depth look into the music, historical background and composers. The series opens with Scheherazade, continues with jazz’s influence in Europe in An American in Paris and ends with Chicago Symphony’s Beyond the Score™ concert titled Wagner: The Tristan Effect. Each Vanguard performance delves deeply into a single composition, using multi-media to fully explore the work.

The Philharmonic Pops series kicks off with Centennial Sinatra, to celebrate Frank Sinatra’s musical influence. Pops subscribers will also hear Star Wars: The Music of John Williams, Country LegendsWarner Bros. presents Bugs Bunny at the Symphony, Comedy Tonight and Rhapsody in Blue. On April 2, 2016, the Philharmonic will play host Conductor Brent Havens for The Music of Pink Floyd.

The Oklahoma City Ballet will once again join the Philharmonic to present their masterful production of Tchaikovsky’s The Nutcracker over Thanksgiving weekend. The holidays will be rounded out with Christmas and New Year’s Eve concerts.

Series pricing starts at $32, which reflects a 50% discount for new subscriptions. Orders can be placed by calling 719-575-9632 or by visiting the Philharmonic’s website at

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Thursday, January 22, 2015

Music and restaurant auctions this week

Posted By on Thu, Jan 22, 2015 at 11:21 AM

  • Oxy_gen / Shutterstock
This is a good week for auction devotees in Southern Colorado, especially those who who are inclined toward music memorabilia, restaurant equipment, and vintage furnishings.

The latter two come courtesy of Smiley’s, the homey breakfast and lunch spot at 323 Tejon St. in downtown Colorado Springs. The auction will take place today at 1 p.m., and you can find full info here.

Meanwhile, for those who want to own a piece of music history, there'll be a huge auction Saturday afternoon of memorabilia from Caribou Ranch.

In the '70s and '80s, it was a destination studio for the likes of Stephen Stills, Elton John, Frank Zappa, Johnny Cash and countless others. Located in the Boulder foothills (which proved to be an appropriate inspiration for Joe Walsh's massive hit, "Rocky Mountain Way"), the studio was owned and operated for decades by musician and producer Jim Guercio.

The property is now owned by Sam Walton's heirs, who are obviously pretty cash-strapped. Auction items range from a Steinway concert grand to a parka once worn by Michael Jackson to a box of magazine articles about Chad & Jeremy. You can check it all out online at

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Tuesday, December 16, 2014

Rock and Roll Hall of Fame inductees controversial as always

Posted By on Tue, Dec 16, 2014 at 12:20 PM

The Rock and Roll Hall of Fame’s announcement this morning of its 2015 honorees is inspiring a predictably mixed response from music critics.

The 30th annual induction ceremony — to be held in Cleveland on April 18 — will pay homage to honorees Lou Reed, the Paul Butterfield Blues Band, the "5" Royales, Green Day, Joan Jett & the Blackhearts, Stevie Ray Vaughan & Double Trouble, Bill Withers, and Ringo Starr.

Not everyone is thrilled.

“The vote against Chic is only the latest manifestation of the Rock Hall’s tortured dealings with the legacy of disco,” complains the New York Times’ Ben Sisario, while noting that others who failed to make the cut are Kraftwerk, Nine Inch Nails, Sting, N.W.A, the Smiths, the Marvelettes, the Spinners and War.

The Albany Times Union’s Chuck Miller, however, was relatively pleased. “This time, the Class of 2015 may have gotten it right — or at least more ‘right’ than they have in the past, when they inducted Madonna and ABBA and ... well ... ABBA? Really? ABBA is to rock and roll what beige is to a rainbow."

Miller says that, all and all, he’s okay with this year’s choices, although he did append a list of artists that he feels voters should be considering next year. Among them were prog-rockers Yes and King Crimson, ‘80s synth-pop bands Depeche Mode and Duran Duran, and behind-the-scenes innovators Robert Moog and the Muscle Shoals Studio musicians.

Meanwhile, Justin Bieber, Jason Derulo and Lana del Ray fans can take heart: They’ll all be eligible for induction come 2035. 

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Friday, October 31, 2014

Halloween playlist on Spotify

Posted By on Fri, Oct 31, 2014 at 4:39 PM

Stop. What are you doing? Are you listening to the Independent's Roky Erickson Halloween playlist on Spotify?


Well, how convenient that there's a big button to let you do just that right here.

Enjoy, and have a safe & spooky holiday!

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Tuesday, September 16, 2014

Jermaine Rogers to offer pre-Riot Fest Die Antwoord print

Posted By on Tue, Sep 16, 2014 at 5:56 PM

  • Jermaine Rogers' Die Antwoord homage

If you're planning to see Die Antwoord's opening night performance at Riot Fest Friday, you already know why renowned poster artist Jermaine Rogers is drooling over everyone's favorite South African rave-rap duo. "This band rules," declared the talented Springs refugee on Facebook earlier today. "Don't ask questions and don't try to figure the thing out. Just feel it."

But here's something even the most hardcore Yolandi and Ninja fans may not know: Rogers will be releasing a limited-edition, seven-color screen print of his recently commissioned Die Antwoord poster this Wednesday at 1 p.m. MST.

A run of 75 signed and numbered pieces will sell for $50, with an additional 25 on holographic 'shattered' pattern foil stock for $100. Both are 30x23 inches and will be available on a first-come, first-serve basis at

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Thursday, September 4, 2014

Shit hits the fan for Meadow Muffins

Posted By on Thu, Sep 4, 2014 at 3:17 PM

  • patrimonio designs ltd/shutterstock

Granted, it was never exactly a destination spot for live music. In fact, most Meadow Muffins frequenters would barely notice the front-room entertainment as they made their way toward the main bar and the cavernous party pit below.

Still, it's never good news when a local establishment goes under, especially one that hires local talent and has been around for 30 years.

According to Indy sister publication the Colorado Springs Business Journal, the Old Colorado City institution's doors were closed yesterday afternoon. The business is expected to open under new ownership with a new name.

Recent performers at the venue have included 40 oz Freedom Fighters, Johnny Graves & the Blues Waves, Suga’ Bear & The Show Time Band, and GOYA, while DJ Tony G, DeeJayBee and numerous others have manned the turntables.
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Indy Music Fest schedule: Don't leave home tonight without it

Posted By on Thu, Sep 4, 2014 at 12:12 PM


So you want to go to tonight’s Indy Music Awards Festival, but have no idea who’s playing, at that time, or on which stage? Don’t worry, we’re here to help.

Just text SCENE to 77948 for links to the Independent’s INDYScene free iPhone and Android apps. A banner on the home page will take you directly to this evening’s full schedule. Plus, you can use it year round for complete listings of local shows, activities, bars and restaurants.

Or, if you prefer to print out the schedule directly from your computer, just click here.
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