The World Is Not Enough (PG-13)
Pierce Brosnan (Golden Eye and Tomorrow Never Dies) can do no wrong. While leading actors like Harrison Ford and Nicholas Cage recede into mere shadows of their former selves, Pierce Brosnan gleams with all the requisite savoir-faire and charisma that the longest-running film franchise in cinema history demands. Brosnan's third installment as Her Majesty's top secret agent 007 lives up to the lofty expectations set down by Sean Connery's initial James Bond presence with an indispensable steely nerve and Bond's signature unquenchable libido. British director Michael Apted, best known for his fantastic 7 Up documentary film series and Coal Miner's Daughter (1980), makes a surprisingly impressive debut in the super-action genre of the Broccoli family dynasty.
By definition, a James Bond film must provide various exotic locations (in this case -- Bilbao, Kazakhstan, Azerbaijan and Instanbul); include mind-bending chase scenes on water, over land, through buildings and other exceptional places; utilize slick gadgetry; have seduction scenes with audaciously beautiful women; and include an explosive ending that catapults Bond and his fille du jour into sequestered romantic bliss. The cinematic experience itself goes beyond guilty audience pleasure, because there's something in it for everyone. The feeling is akin to visiting characters who have become old friends in situations that continually add up to a life-affirming thrill ride. There is a deeply felt satisfaction in hearing that priceless James Bond theme music and digging into the latest spectacular pre-credit action sequence.
In The World Is Not Enough, James Bond is trying to track down an international terrorist, Renard (Robert Carlyle), who threatens to kill off lovely oil heiress Elektra King (Sophie Marceau of Braveheart). Elektra has already suffered as a former hostage of Renard but managed to escape before his hostage demands were met. Elektra is planning to open her own oil pipeline into Turkey after the explosive assassination of her wealthy father.
It's a theme right out of today's news as President Clinton has just approved a similar pipeline to deliver oil from Azerbaijan and Georgia into Turkey without going through Russia or Iran. The screenwriters could not have landed on a more topical idea, and although content is never the crux of a James Bond movie, it is an added bonus that the countries visited in The World Is Not Enough are currently very active in the news.
Judi Dench (Shakespeare in Love) returns to nourish the series as Bond's strident boss "M," while Desmond Llewelyn returns for the 19th time as Bond's meticulous gadget guru "Q." Robert Carlyle (Trainspotting, The Full Monty) does a brilliant turn as the ruthless terrorist Renard. He's the nastiest villain to challenge Bond since Max Zorin (Christopher Walken) in A View to a Kill. Renard's character is first introduced in a meeting between Bond and M as a giant three-dimensional translucent head revealing the bullet lodged in his brain that makes it impossible for him to feel pain. It's an ingenious scene, because it makes us question whether or not this man is still alive and what kind of monster could survive such a state of being. Carlyle looks physically wrecked in his scenes while exuding an air of spontaneous combustion beneath his misshapen and sullen eyes.
The World Is Not Enough keeps the stakes for the James Bond franchise high by paying closer attention to character development and interaction than recent films in the series. M proves herself to not be a perfect judge of character, and the beautiful Princess Elektra has a little "Stockholm Syndrome" stuck in the front of her mind to give the plot some artful double-crossing. Denise Richards may not be the most believable nuclear weapons expert as Dr. Christmas Jones, but she is the most comely.
Michael Apted more than hits his directorial marks, and at two hours eight minutes, The World Is Not Enough is, pound for explosion, a great return on your entertainment dollar.
The striking colors and textures are reminiscent of Southern Colorado and New Mexico. Lovely work.