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click to enlarge The Human Body opening this week at IMAX Theatre
  • The Human Body opening this week at IMAX Theatre

*Across the Sea of Time (NR)
Schmaltzy and sentimental, with a thin and barely coherent plot, this 3-D IMAX film is also visually stunning, even beautiful, consistently interesting and, occasionally, intensely moving. It's the story of a 10-year-old Russian boy and his family who have emigrated to the United States over a century. Nineteenth- and early 20th-century stereoscopic images are magically transferred to the IMAX format and the results are breathtaking. A must for anyone whose forebearers came to America during the great wave of immigration at the turn of the 19th/20th century; illuminating and moving for the rest of us. -- John Hazlehurst

Cinemark IMAX Theatre

Alien Adventure (NR)
In IMAX 3D. -- Not reviewed

Cinemark IMAX Theatre

Austin Powers in Goldmember (PG-13)
Labored and teeming with half-hearted jokes, this third installment in the Austin Powers franchise falls wide of the giddy mark that The Spy Who Shagged Me hit three years ago. Bottom line: Myers needs to be breaking molds rather than adhering to them. -- Cole Smithey

Chapel Hills, Cinemark 16, Tinseltown

*Barbershop (PG-13)
One of those rare, thoroughly realized comedic films that contains such concise inventions of story, character and milieu that it begs to be serialized into a television situation comedy. Music-video director Tim Story's studio-backed feature debut about a south side Chicago barbershop shows equal promise for his expressive ability with multiple characters and delicate shifts in tone from comedy to drama with light touches of social commentary. (Better catch this original comedy before television writers turn it into the mediocre weekly pulp they're famous for delivering.) -- Cole Smithey

Carmike 10, Chapel Hills, Cinemark 16, Tinseltown

*The Bourne Identity (PG-13)
Matt Damon more than compensates in his first attempt at a pure action role. He plays Jason Bourne, an American super spy who has forgotten his identity and attempts to hide out from government agents in various attractive European locations. The tension builds slowly, and when bullets begin to fly and car chases ensue, it's all nicely choreographed and not overblown. The plot is somewhat thin but the ride is rich with plenty of well-timed twists and turns and an enticing, prickly romance. -- Kathryn Eastburn

Cinemark 16, Tinseltown

City by the Sea (R)
A plodding cop drama with inspired performances that make it more of an actor's movie than a film audiences will talk about for days after seeing it. Robert DeNiro plays a New York City homicide detective who sees his own troubled childhood reflected in the life of his neglected and drug-addicted son. James Franco plays the son, who slips into a head-on collision with his absentee father when he kills a drug dealer in self-defense. -- Cole Smithey

Carmike 10, Chapel Hills, Cinemark 16, Tinseltown

Fear Dot Com (R)
Horror flick starring Stephen Dorff as a cocky police detective who hooks up with sexy researcher to investigate the mysterious deaths of four people, all of whom died 48 hours after visiting a Web site called Feardotcom. Also starring Natascha McElhone.

Tinseltown

Full Frontal (R)
Steven Soderbergh latest featuring Julia Roberts as a magazine journalist; Blair Underwood as a TV star who has just gotten his big break; David Duchovny as a film producer; David Hyde Pierce as a Los Angeles Magazine writer who writes screenplays in his free time; Catherine Keener as his coldhearted wife, a HR vice president who terminates employees to relieve her marital stress; and so on. -- Not reviewed

Chapel Hills

*The Good Girl (R)
Jennifer Aniston's ability to remain attractive while playing a self-absorbed brat is nothing to sniff at. In Justine Last she has found the perfect role to show off that quality while downplaying her natural glamour. Director Miguel Arteta and screenwriter Mike White (Chuck & Buck) perfectly capture a tone of listlessness and quiet desperation, and the entire cast is great at sustaining the mood. White is creepy and hilarious as the security guard at Retail Rodeo, where Justine works as a cosmetics clerk. Zooey Deschanel is wonderful as Justine's co-worker Cheryl who masterfully plays off the obliviousness of most everyone, especially the Retail Rodeo customers. The Good Girl is funny without taking cheap shots. Its honesty is its strongest quality -- especially the pained honesty of Justine who must finally decide whether she really wants to escape after all. -- Kathryn Eastburn

Kimball's Twin Peak

*Men in Black 2 (PG-13)
Although the newness of the Men in Black concept has worn off, there's plenty of slick and witty post-modern humor to savor in this eccentrically clever romp. And Will Smith brings a new level of charm and comic timing to the role of Agent Jay. -- Cole Smithey

Chapel Hills, Cinemark 16, Tinseltown

*My Big Fat Greek Wedding (PG)
A delightful confection of a summer film. The pacing of the first half of the film is a little slow, but it picks up nicely when the whole crazy extended family gets into the act. Romantic comedies require a deft touch, and the writing of Nia Vardalos (who also plays the lead) provides it. -- Andrea Lucard

Kimball's Twin Peak Theater, Chapel Hills, Cinemark 16, Tinseltown

click to enlarge Stealing Harvard
  • Stealing Harvard

One Hour Photo (PG-13)
See full review, page 37.

Chapel Hills, Cinemark 16, Tinseltown

*Possession (R)
A literary mystery/romance based on the A.S. Byatt novel of the same name, Possession succeeds at being lush, romantic, mysterious and literary -- no easy feat when it comes to adapting complex fictional works to the screen. The film unfolds in parallel plots -- the love story of mid-19th century poets Randolph Henry Ash and Christabel LaMotte, and the careful, tentative development of a relationship between two modern-day scholars, played by Gwyneth Paltrow and Aaron Eckhar. As the scholars uncover mounting evidence to the passion between the famous poets, they also open up areas of themselves that have been carefully protected. The dialogue gets a little touchy-feely, enough to make a cynical audience squirm a bit, but the actors pull it off with grace and real chemistry. Possession is a genuine romance with lush sets and handsome players, set against the backdrop of gorgeously written correspondence and the poetry of two phantom lovers, lost to the world but immortalized in words. -- Kathryn Eastburn

Tinseltown

*The Road to Perdition (R)
This is not a neatly wrapped up father-and-son/growing-up tale but a highly stylized 1930s gangster film that explores the dark fate of those men and the time it recreates. Filmmaker/theater director Sam Mendes (American Beauty) is a master at setting a dramatic scene, artfully orchestrating the nervous pauses before the bullets begin to fly. The dark beauty created sticks with the viewer long after the film has ended. -- Kathryn Eastburn

Chapel Hills

Serving Sara (PG-13)
Matthew Perry is a process server hired by Elizabeth Hurley to serve divorce papers to her husband in Texas. They embark together on a road trip from New York City to Texas and, duh, the server falls for his employer. -- Not reviewed

Cinemark 16

*Signs (PG-13)
A quiet, suspenseful and frequently thrilling romp through the chilling territory of the unknown. Mel Gibson delivers a refreshingly understated turn as a man sleepwalking through life following a spiritual crisis, and Joaquin Phoenix is sincere and effective as his loyal brother. Youngster Rory Culkin is most impressive as an asthmatic waif whose mental clarity regarding an alien invasion, and what it might mean, guides the family's actions. Signs falls into some clumsy dialogue when it tries to be philosophical, but altogether, it's a fun thriller that marks director M. Night Shyamalan's growing influence as a Hollywood filmmaker. -- Kathryn Eastburn

Carmike 10, Chapel Hills, Cinemark 16, Cinemark IMAX, Tinseltown

Spider-Man (PG-13)
From the script to the editing and acting, Spider-Man is just ... just so enh. Computer effects have rendered the charming reality of human error obsolete, making the film feel just too sterile. -- Noel Black

Carmike 10, Chapel Hills, Cinemark 16, Tinseltown

*Spy Kids 2 (PG)
Delightful sequel to last year's surprise hit. Carmen and Juni Cortez (Alexa Vega and Daryl Sabara) take on rival spy kids Gary and Gerti Giggles (Matthew O'Leary and Emily Osment), rivals for the plum assignment of retrieving a cloaking device, the "Transmooger," from a mysterious island. Steve Buscemi plays the brilliant but timid Dr. Romero, creator of a wonderful menagerie of mutant animals that inhabit the island, and Antonio Banderas and Carla Gugino are back as the Cortez kids' swashbuckling parents. Director/writer/producer Robert Rodriguez obviously relishes the chance to romp again on this fertile, outlandish fantasy canvas and puts his considerable talents to good use. -- Kathryn Eastburn

Carmike 10, Chapel Hills, Cinemark 16, Tinseltown

Stealing Harvard (PG-13)
Jason Lee stars as John, a straight-up guy who has promised to pay for his niece's college tuition. When he finds out she's gotten into Harvard, and $29,879's due in two weeks, he enlists his friend Duff (Tom Green) to help him scrape together the dough.

Carmike 10, Chapel Hills, Cinemark 16, Tinseltown

Stuart Little 2 (PG)
The sequel to 1999's popular film, based on the E.B. White novel. -- Not reviewed

Tinseltown

Swimfan (PG-13)
Fatal Attraction with teenagers. -- Not reviewed

Carmike 10, Chapel Hills, Cinemark 16, Tinseltown

xXx (PG-13)
Starring buffed-up, head-shaven, tattooed Vin Diesel, this raucous summer hit is James Bond on steroids vs. post-Cold War Dr. Evil, set in Frankenstein's castle dungeon. Diesel is outlaw-turned-special-agent Xander Cage, sent by National Security Agent Augustus Gibbons (Samuel L. Jackson) to infiltrate the underground world of Anarchy 99, a group in Prague feverishly implementing chemical warfare in the basement of their spectacular castle, nestled in the mountains outside of the city. Despite its humor and abundant energy, xXx ultimately cannot decide whether it is a) a comic book-style adventure flick where all is not as it seems; b) a legitimate invention of a new breed of action-adventure hero; or c) all-out parody. It could have been good plain fun, but dies in explosive overkill and is doomed by its confounding identity crisis. -- Kathryn Eastburn

Carmike 10, Chapel Hills, Cinemark 16, Tinseltown

  • Our reviewers' recommendations for films showing on Colorado Springs area screens.

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