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click to enlarge Spike Lees newest offering, 25th Hour, starring Edward Norton, finally opens in town this weekend.
  • Spike Lees newest offering, 25th Hour, starring Edward Norton, finally opens in town this weekend.

*About Schmidt (R)
The story of a browbeaten insurance salesman rendered with loving disenchantment by Jack Nicholson. The role is new territory for Nicholson -- easily his most interesting film since the sexual dramas of the '70s. It's a prime pick of an otherwise unremarkable Academy Award homestretch. -- John Dicker

Cinemark 16

*Adaptation (R)
The story of screenwriter Charlie Kaufman (Nicholas Cage) and his struggle to adapt New Yorker writer Susan Orlean's The Orchid Thief into an honest, faithful screenplay. It's a meditation on the creative process, a reproach against self-scrutiny, and a load of fun. -- John Dicker

Tinseltown

*Antwone Fisher (PG-13)
With his directorial debut, Denzel Washington lifts the veil over a broken child welfare system where as many as half-a-million of America's children are raised. Dynamic newcomer Derek Luke plays Antwone Fisher, who overcomes a legacy of abuse -- and the accompanying anger, shame and lack of self worth -- with the help of an Army psychiatrist (Washington). Competently shot and powerfully acted, it's not art but it's a worthy use of celluloid. -- Kathryn Eastburn

Carmike 10, Cinemark 16, Tinseltown

*Bowling for Columbine (R)
An all-you-can-eat buffet of food for thought on the following question: Why, more than any other industrialized nation, do Americans kill each other with guns? Some pretty insightful commentary from unlikely places in spite of the filmmaker's antics. -- John Dicker

Kimball's Twin Peak Theater

*Catch Me If You Can (PG-13)
From its stylish, animated opening credits to its peppy John Williams score, Catch Me If You Can exudes the innocence that colors many Spielberg efforts. The central character, Frank Abagnale Jr., is a notorious con man portrayed as a boy wonder, a Spielbergian creation enamored of life's endless possibilities. And it works, due largely to impeccable casting. Leonardo DiCaprio is perfectly cast in the role. -- Kathryn Eastburn

Carmike 10, Chapel Hills, Cinemark 16, Tinseltown

*Chicago (PG-13)
Directed by musical theater veteran Rob Marshall, Chicago's social commentary is biting and apt if slightly clichd: Fame is fleeting; the media is fickle. Catherine Zeta-Jones is cold and powerful as Velma Kelley, a hoofer with a heart of steel. Her singing is top-notch and her dancing is lurid and assured. Rene Zellweger gives it her all as Roxie Hart, but her singing pales next to Zeta-Jones and supporting star Queen Latifah. Richard Gere is suitably smarmy as attorney Billy Flynn and John C. Reilly is Chicago's most pleasant surprise, turning in a tour de force performance as Roxie Hart's hapless and devoted husband Amos. -- Kathryn Eastburn

Tinseltown

Gangs of New York (R)
Martin Scorsese's epic historic fantasy of the "hands that built America" is a mesmerizing, bloody slog through the mean streets of mid-19th-century New York City. As a spectacle, it works. As a coherent statement about the conflicting elements that built a neighborhood, a city and ultimately a nation, it fails. A revenge drama, it comes equipped with the required characters and plot -- slain hero (Liam Neeson), avenging son (Leonardo DiCaprio) and brutal villain/face of evil (Daniel Day-Lewis), with a pretty damsel (Cameron Diaz) thrown in for good measure. DiCaprio is adequate as a scrappy street fighter turned revolutionary, but his character is grossly overshadowed by the psychotic freak show that is Day-Lewis' performance as Bill the Butcher. -- Kathryn Eastburn

Carmike 10, Chapel Hills, Cinemark 16, Tinseltown

A Guy Thing (PG-13)
Wish I could say that A Guy Thing is such a profound investigation of the male psyche that women should attend with notebooks and pencils. What I can say is that Jason Lee plays a groom-to-be who inexplicably wakes up next to a "Tiki girl" (Julia Styles) after his bachelor party. (If I had a nickel for every time that's happened to me, I'd owe you five bucks.) Watch Jason Lee stutter and stumble around his fiance (Selma Blair) to avoid justice. There's underwear in the toilet, drama at the altar, even some diarrhea jokes. My prescription: Take a laxative and avoid the movie. It's predictable, derivative, and Julia Styles doesn't take off her clothes. -- John Dicker

Carmike 10, Chapel Hills, Cinemark 16, Tinseltown

*Harry Potter and the Chamber of Secrets (PG)
Let's accent the positive: This film is a better movie than its predecessor, Harry Potter and the Sorcerer's Stone. -- Andrea Lucard

Chapel Hills, Cinemark 16, Tinseltown

The Hot Chick (PG-13)
A popular, unpleasant high-school prima donna (Rachel McAdams) wakes up to find that she's become a 30-year-old geek (Rob Schneider). -- Not reviewed

Chapel Hills

*The Hours (PG-13)
See full review, page 40

Cinemark 16

Just Married (PG-13)
That '70s Show goofball Ashton Kutcher teams up with Brittany Murphy in this romantic comedy. -- Not reviewed

Carmike 10, Chapel Hills, Cinemark 16, Tinseltown

Kangaroo Jack (PG)
A musician and his childhood friend, a New York hairstylist, get mixed up with the mob and must go to Australia to deliver $100,000. They're put to the test when a kangaroo runs off with the money. -- Not reviewed

Carmike 10, Chapel Hills, Cinemark 16, Tinseltown

The Lion King (G)
Disney is re-releasing this well-loved animated tale to IMAX large-format theaters. -- Not reviewed

Cinemark IMAX Theater

*The Lord of the Rings: The Two Towers (PG-13)
Peter Jackson's The Two Towers is the best film about hobbits, elves, orcs and wizards since last year's Fellowship of the Ring. But seriously, Jackson does a masterful job of stitching together three separate plots and though the story itself doesn't advance much, it almost sustains its three-hour length. Jackson's strength in The Two Towers is combining a visual realization of Middle Earth's inhabitants, and utilizing the New Zealand landscapes to instill a sense of pending dread and ephemeral beauty. -- John Dicker

Carmike 10, Chapel Hills, Cinemark 16, Tinseltown

Maid in Manhattan (PG-13)
A sweet Cinderella story turned into a lazy piece of hog slop, sugarcoated and caramelized to make it go down easy. -- Kathryn Eastburn

Chapel Hills, Cinemark 16

*My Big Fat Greek Wedding (PG)
A delightful confection of a film. The pacing of the first half is a little slow, but it picks up nicely when the whole crazy extended family gets into the act. Romantic comedies require a deft touch, and the writing of Nia Vardalos (who also plays the lead) provides it. -- Andrea Lucard

Cinemark 16

*Narc (R)
For a film with no discernible purpose beyond genre experimentation and performance showcases, Narc is not a bad little movie. When not going overboard with film school circus stunts, director Joe Carnahan's character study manages to hold through the duration, a credit to the talents of stars Jason Patric and Ray Liotta. -- John Dicker

Tinseltown

National Security (PG-13)
Earl (Martin Lawrence) and Hank (Steve Zahn) met on opposite sides of the law during a routine traffic stop, but now they're teamed up as harebrained security guards. -- Not reviewed

Carmike 10, Chapel Hills, Cinemark 16, Tinseltown

*Real Women Have Curves (PG-13)
Sundance Audience Awardwinner Real Women offers some meaty cultural commentary in a sweet family drama. America Ferrera is Ana, a second-generation Mexican-American teen-ager in East L.A., eager to broaden her horizons and leave home for college. But her stubborn mother Carmen (Lupe Ontiveros) won't hear of it, insisting that Ana must take her place in the family's garment factory, overseen by sister Estela (Ingrid Oliu). The production quality is rough, as are some of the supporting performances, but the film's honesty and good intentions outweigh aesthetic considerations. Highly recommended for young girls. -- Kathryn Eastburn

Kimball's Twin Peak Theater

Star Trek: Nemesis (PG-13)
A mildly entertaining science-fiction movie that ends up talking down to its audience from a soapbox that's about as big as its largest model spacecraft. -- Cole Smithey

Chapel Hills

Two Weeks Notice (PG-13)
Hugh Grant plays billionaire George Wade, who realizes that he's in love with his attorney (Sandra Bullock) just as she's about to leave his employment. -- Not reviewed

Carmike 10, Chapel Hills, Cinemark 16, Tinseltown

  • Our reviewers' recommendations for films showing on Colorado Springs area screens.

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