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click to enlarge Everyone loves raggedy orphans in Roman Polanskis - Oliver Twist.
  • Everyone loves raggedy orphans in Roman Polanskis Oliver Twist.

Aliens of the Deep (G)
James Cameron teams up with NASA scientists to explore the Mid-Ocean Ridge, a submerged chain of mountains, and its ecosystems. In IMAX 3-D. -- Not reviewed

Cinemark 16 IMAX

*The Aristocrats (NR)
There are no sweet words for piss, shit, fuck or fist, and they all come pouring across the screen like an avalanche of bad taste. And that is part of the film's point, which you'll discover if you stick with it for the entire 90 minutes. There is an undertone of such delight in this unbelievably bawdy love fest that one walks away from The Aristocrats with a newfound respect for a good stand-up routine, and wishing for more chances to laugh uncontrollably, at anything. -- Kathryn Eastburn

Kimball's Twin Peak

*Batman Begins (PG-13)
Director Christopher Nolan (Memento, Insomnia) borrows from the Depression-era origins of the comic book superhero but relies more on the late '80s rebirth of the Dark Knight by Frank Miller. Christian Bale's Bruce/Batman is delightfully dark and tortured. The supporting performances are uniformly strong, including those of an almost unrecognizable Gary Oldman as Lt. James Gordon and Morgan Freeman as Lucius Fox. -- Kathryn Eastburn

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*The Brothers Grimm (PG-13)
Director Terry Gilliam's work most decidedly is a particular taste, and The Brothers Grimm may not be the kind of film to convert non-believers. Sets and costumes tend toward the dark and grungy. Supporting characters often are grotesque. And there are twisted bursts of visual invention. With whatever Gilliam sees in his head at night, be thankful you don't live there. -- Scott Renshaw

Carmike 10, Cinemark 16, Tinseltown

*Charlie & the Chocolate Factory (PG)
First understand: This is a revision, not a remake. Cast presumptive likenesses to 1971's Willy Wonka and the Chocolate Factory to the wind, and let the movies exist as separate entities. Director Tim Burton both remains true to Roald Dahl's book and departs wildly from it. Charlie's conclusion tosses some loops -- especially for Wonka -- to create what ultimately is a satisfying twist. Though Charlie isn't all cotton-candy fluff, it's mostly exciting, mindless fun. -- Kara Luger

Cinemark 16 IMAX

The Constant Gardener (R)
The problem with this film is that everything begins to feel redundant during the film's final hour. Everything of consequence there is to know about the players in the plot, we know; everything of consequence there is to know about Justin (Ralph Fiennes) and Tessa (Rachel Weisz), we know. While Fiennes' performance and Fernando Meirelles' stylish direction provide some distraction, eventually the repetition of the film's political message simply becomes wearying. -- Scott Renshaw

Chapel Hills 15, Kimball's Twin Peak

Cry Wolf (PG-13)
A group of high-schoolers creates an Internet rumor that a serial killer called "The Wolf" is behind a local murder. When what the students are saying starts coming true, no one knows where the lies end and the truth begins. -- Not reviewed

Chapel Hills 15, Cinemark 16, Tinseltown

Deuce Bigalow: European Gigolo (R)
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The Dukes of Hazzard (PG-13)
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The Exorcism of Emily Rose (PG-13)
It shouldn't be difficult to make an exorcism scene scary, but director Scott Derrickson succeeds only in making it nearly impossible to follow what's going on. The priest is attacked by a housecat jumping at his throat. Also, a snake drops on his head. I only wish I were making that up. --Scott Renshaw

Carmike 10, Chapel Hills 15, Cinemark 16,

Tinseltown

Fantastic Four (PG-13)
A group of astronauts develops superpowers and proves that it is, indeed, clobbering time. -- Not reviewed

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Flightplan (PG-13)
See full review on page 27.

Carmike 10, Chapel Hills 15, Cinemark 16, Tinseltown

The 40-Year-Old Virgin (R)
It's unfortunate and ironic that Steve Carell's debut performance as a movie star, in a film he co-wrote, is lacking his comedic signature. Carell sedates his expressive face to play a kind of straight man among stooges, the butt of everyone's jokes because he's made it to age 40 without getting laid. And even though The 40-Year-Old Virgin packs a bevy of laughs, it is just another riff on an increasingly familiar Hollywood theme: Everyone secretly wants to be a frat boy. -- Dan Wilcock

Carmike 10, Chapel Hills 15, Cinemark 16, Tinseltown

Herbie: Fully Loaded (G)
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In Her Shoes (PG-13)
Cameron Diaz and Toni Colette are sisters at odds: Maggie, the ultimate party girl and Rose, the serious one. Could avoid chick-flick hell under the expert direction of Curtis Hanson (L.A. Confidential). -- Not reviewed

Cinemark 16

The Island (PG-13)
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Just Like Heaven (PG-13)
Emotionally damaged David Abbott (Mark Ruffalo) moves into a faaaaabulous San Francisco apartment, only to find that its previous occupant hasn't entirely vacated. She's Elizabeth Masterson (Reese Witherspoon), a workaholic doctor caught in limbo, whose spirit inhabits her old residence. Witherspoon and Ruffalo both prove entertaining, but they don't quite have It, that ineffable something that makes great screen pairs click. -- Scott Renshaw

Carmike 10, Chapel Hills 15, Cinemark 16,

Tinseltown

Lord of War (R)
Nicolas Cage stars as an arms dealer who confronts the morality of his work as he is being hunted by an Interpol agent. Also starring Jared Leto and Ian Holm. -- Not reviewed

Carmike 10, Chapel Hills 15, Cinemark 16, Tinseltown

Madagascar (PG)
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A Magnificent Desolation (NR)
Walking on the moon in 3-D. Produced by Tom Hanks. -- Not reviewed

Cinemark IMAX

*March of the Penguins (G)
French director Luc Jacquet and his cinematographers, Laurent Chalet and Jrme Maison, suffered minus-80-degree temperatures and violent winter windstorms to bring us this footage from a year in the lifecycle of the Emperor penguin. They have made a fascinating film that crossed into the mainstream of summer releases, a remarkable feat for a documentary of any kind. -- Kathryn Eastburn

Chapel Hills 15, Cinemark 16

*Mr. and Mrs. Smith (PG-13)
Though it's 30 minutes too long (at two hours) and more closely resembles a television miniseries than a movie, Mr. and Mrs. Smith is a snarky romantic comedy disguised as an ultra-violent action thriller. This is about the only kind of movie in which Brad Pitt and Angelina Jolie could be well-cast together, a tongue-in-cheek wink at every suburbanite's secret dream to be James Bond or La Femme Nikita. -- Dan Wilcock

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*Red Eye (PG-13)
This one starts with an easily embraceable protagonist, Rachel McAdams (Wedding Crashers), and a great, challenging villain played by Cillian Murphy. Both characters are written smart and resourceful, which makes it so much more enjoyable when they do the little things that movie characters so rarely do, like checking behind the shower curtain. -- Scott Renshaw

Cinemark 16

Roll Bounce (PG-13)
It's the late '70s and roller skating rocks. When his neighborhood rink closes down, X (Bow Wow) leads a group of homies to the uptown Roller Jam skate showdown. -- Not reviewed

Carmike 10, Cinemark 16, Tinseltown

The Skeleton Key (PG-13)
Kate Hudson plays Caroline, who works as a hospice care aide who answers a job ad to care for a dying man. Ben, a wonderfully wrinkled and ruined John Hurt, and Violet, the great Gena Rowlands, appear innocent enough at first, but Caroline's doubts soon surface. Caroline comes to suspect that Violet wants Ben to die and that she's using hoodoo -- the tools of which reside behind a locked door in the attic -- to mess with his mind. -- Kathryn Eastburn

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Sky High (PG)
Will (Michael Angarano), the son of superheroes Captain Stronghold (Kurt Russell) and Josie Jetstream (Kelly Preston), tries to find a balance between being a normal teenager and an extraordinary superhero. -- Not reviewed

Tinseltown

Stealth (PG-13)
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*Tim Burton's Corpse Bride (PG)
Though the narrative basically is satisfying, Corpse Bride works fundamentally as a visual showpiece. When the action moves from the land of the living to the land of the dead, Burton portrays the underworld in vivid primary colors and with boisterous carousing. Songs by Burton's longtime collaborator Danny Elfman give the story lines an extra jolt of energy, and the talented voice cast contributes better work than you often find from celebrity names slumming in animation. -- Scott Renshaw

Carmike 10, Chapel Hills 15, Cinemark 16, Tinseltown

Transporter 2 (PG-13)
Jason Statham stars in this action sequel about a high-stakes courier who moves human or other cargo with no questions asked. -- Not reviewed

Cinemark 16, Tinseltown

An Unfinished Life (PG-13)
Robert Redford wanders the unspoiled Wyoming landscape on horseback, by bicycle, in a rusted pickup truck. The pretty boy with a conscience skips makeup to play Einar Gilkyson, a disgruntled, grizzled old coot who carries guilt around over the death of his best friend Mitch (Morgan Freeman). When Jean (Jennifer Lopez), Einar's former daughter-in-law, and the grandchild he's never met (Becca Gardner) arrive unexpectedly at his ranch, an unavoidably predictable, though still interesting, series of events is set in motion. -- Kathryn Eastburn

Chapel Hills 15, Tinseltown

*Wedding Crashers (R)

Wedding Crashers' protagonists are John (Owen Wilson) and Jeremy (Vince Vaughn), a pair of best buddies in Washington D.C., who have learned the secret of picking up women by posing as party guests at weddings. The first half of Wedding Crashers is inspired enough that even its late loss of momentum can't completely spoil its pleasures, but it's disappointing to see yet another contender for the lowbrow throne brought down by its lack of resolve. -- Scott Renshaw

Cinemark 16

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