Films recommended by our reviewers are indicated by an *.
*50/50 (R)
As stridently as the comedy-drama 50/50 works to avoid sentimentality, it manages to be more than a collection of caustic anecdotes because of how committed Joseph Gordon-Levitt is to his character's humanity. Which makes it all the more frustrating that 50/50 is merely a good film instead of a great one. — Scott Renshaw
Kimball's Peak Three, Tinseltown
Abduction (PG-13)
The film focuses on a youth who discovers the parents who raised him aren't his real folks, a revelation that triggers events and leaves him running for his life. — Not reviewed
Chapel Hills 15
Apollo 18 (PG-13)
In December of 1974, two American astronauts were sent on a secret mission to the moon, funded by the U.S. Department of Defense. What you are about to see is the actual footage that the astronauts captured on that mission — Not reviewed
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The Big Year (PG)
Three disparate men, each facing unique personal challenges, try to outdo each other in the ultimate bird-watching competition in 1998 — the year El Niño brought an unprecedented number of species to North America. — Not reviewed
Chapel Hills 15, Cinemark 16, Tinseltown
Captain America: The First Avenger (PG-13)
This is a WWII-set comic book adventure about a once-meek U.S. soldier turned hero thanks to an experimental super serum that grants strength and agility far beyond that of a normal human being. — Not reviewed
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Cars 2 (G)
It felt like Pixar promised us that it would remain grounded in something more vital than the sparkle and speed of contemporary computer-generated movie-making. But with Cars 2, it feels as though that promise has been broken. — Scott Renshaw
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*Contagion (PG-13)
This is no mere disaster movie; it's a meticulous doomsday scenario imagined by someone with a clear need to visualize the worst as a salve to his anxiety. — Justin Strout
Carmike 10, Chapel Hills 15
Courageous (PG-13)
As law enforcement officers, Adam Mitchell, Nathan Hayes, David Thomson and Shane Fuller are confident and focused. Yet at the end of the day, they face a challenge that none of them are truly prepared to tackle: fatherhood. — Not reviewed
Cinemark 16, Tinseltown
Crazy, Stupid, Love. (PG-13)
For two hours, the film offers up a terrific cast and some genuinely funny moments, but its inability to find real greatness can be encapsulated by one scene — an attempt at sophistication that's too often undercut by sitcom simplicity. — Scott Renshaw
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*The Debt (R)
The Debt, a new thriller, fleshes out a great scenario with fresh action beats, some killer acting and wonderful interplay between Jessica Chastain and Helen Mirren. — Justin Strout
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Dolphin Tale (PG)
The amazing true story of a brave dolphin and the compassionate strangers who banded together to save her life. — Not reviewed
Carmike 10, Chapel Hills 15, Cinemark 16, Hollywood Interquest, Tinseltown
Dream House (PG-13)
A suspense thriller about a family that unknowingly moves into a home where grisly murders were committed only to find themselves the killer's next target. — Not reviewed
Carmike 10, Chapel Hills 15
*Footloose (PG-13)
The fidelity with which this film attempts to reproduce the original is something rarely seen in contemporary remakes. And by virtue of doing very little that's different, it does a whole lot right. — Scott Renshaw
Carmike 10, Chapel Hills 15, Cinemark 16, Hollywood Interquest, Tinseltown
*The Guard (R)
Even when the movie ends in a hail of violence, you don't know whether you're being played by the cop in question, a bad man in the eyes of society, but who is good at the end of the day. And that is exactly how they want it. — Anders Wright
Kimball's Peak Three
*Harry Potter and the Deathly Hallows Part 2 (PG-13)
It's fair to say that while Hallows 2.0 is far from a perfect piece of filmcraft, director David Yates and screenwriter Steve Kloves know exactly how to guide us through this final chapter. — Scott Renshaw
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The Help (PG-13)
Set in Mississippi in the '60s, a Southern society girl returns from college determined to become a writer, but turns her friends' lives upside down when she decides to interview the black women who have spent their lives taking care of prominent Southern families. — Not reviewed
Hollywood Interquest
The Ides of March (R)
The political film's first half moves fast enough to avoid losing viewers to inside-the-Beltway chatter, and the punchy script provides enough entertaining situations. But everything in the film ultimately pivots on the way Stephen Myers (Ryan Gosling) reacts when cornered and that's where it hits a wall. — Scott Renshaw
Tinseltown
Johnny English Reborn (PG)
In his latest adventure, the most unlikely intelligence officer in Her Majesty's Secret Service must stop a group of international assassins before they eliminate a world leader and cause global chaos. — Not reviewed
Cinemark 16, Hollywood Interquest, Tinseltown
The Lion King (G)
A chance to catch Walt Disney Picture's 32nd animated film again. — Not reviewed
Carmike 10
The Mighty Macs (G)
Recently hired as the coach of tiny Immaculata College, Cathy's challenges are as imposing as the big-school teams her Macs will face. There is no gymnasium, no fan support and no money. To top it off, Cathy may not even have enough players for a team. — Not reviewed
Chapel Hills 15, Hollywood Interquest
*Moneyball (PG-13)
What follows could have been a standard-issue "underdog sports team" tale, and in some sense, it is. But Moneyball takes angles on these components that are at times completely original. — Scott Renshaw
Chapel Hills 15, Hollywood Interquest, Tinseltown
*Our Idiot Brother (R)
Fortunately, Our Idiot Brother is a bit complicated, because Ned (Paul Rudd) isn't an idiot. And it's surprisingly charming watching a fairly formulaic comedy that revolves around the radical notion of being fundamentally decent. — Scott Renshaw
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Paranormal Activity 3 (R)
Two sisters try to make sense of the supernatural events they experienced as children. — Not reviewed
Carmike 10, Chapel Hills 15, Cinemark 16, Hollywood Interquest, Tinseltown
Real Steel (PG-13)
A film set in the near-future, where the sport of boxing has gone hi-tech, Real Steel stars Hugh Jackman as Charlie Kenton, a washed-up fighter who lost his chance at a title when 2,000-pound, 8-foot-tall steel robots took over the ring. — Not reviewed
Carmike 10, Chapel Hills 15, Cinemark 16, Hollywood Interquest, Tinseltown
*Rise of the Planet of the Apes (PG-13)
Escapism isn't about what happens on the screen, but what happens to us: You want to lose yourself in a movie. Rise of the Planet of the Apes is the essence of the summer flick, and this is how you do it. — MaryAnn Johanson
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Shark Night (PG-13)
Arriving by boat at her family's Louisiana lake island cabin, Sara and her friends quickly strip down to their swimsuits for a weekend of fun in the sun. The college friends soon discover the lake has been stocked with hundreds of massive, flesh-eating sharks. — Not reviewed
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The Smurfs (PG)
A hybrid live-action and animated family comedy. When the evil wizard Gargamel chases the Smurfs out of their village, they're forced through a portal and into our world. They must find a way home. — Not reviewed
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Spy Kids: All the Time in the World (PG)
Marissa Cortez Wilson's world turns upside down when the Timekeeper threatens to take over the planet and she is called back into action by the OSS. — Not reviewed
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The Thing (R)
Not everything needs to be explained — we're talking about frozen aliens in Antarctica, after all — but it is anyway. The end result is that there's no mystery in The Thing. — Anders Wright
Carmike 10, Cinemark 16, Tinseltown
The Three Musketeers (PG-13)
If Alexandre Dumas wrote a Resident Evil movie, this would be it. This is a terrible, terrible movie: It cheats; it's flat and empty; and it ends with the threat of a sequel. — MaryAnn Johanson
Carmike 10, Chapel Hills 15, Cinemark 16, Hollywood Interquest, Tinseltown
Zookeeper (PG)
Kevin James stars as a lovelorn zookeeper who gets a little help from his animal buddies in order to find a mate. — Not reviewed
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