City of Evil
Warner Brothers
Avenged Sevenfold, from Huntington Beach, Calif., must have spent time worshiping at the altar of 1980s thrash metal. The result is a musical comprehension beyond their years -- all five members are barely beyond 20 -- and a major label debut that relives the glory days of, and slays on par with, Iron Maiden and Anthrax. The icy rock riffs and nasal vocals on songs like "Burn It Down" are somewhat derivative, but they're executed with precision. You'll snicker through some of the ballads, like "Seize the Day," but the album merits a "rad." It's as if the band, not necessarily known for fidelity to old- school metal, somehow found the genre's missing link to rock -- proving that it wasn't killed off by the indie revolution. -- Dan Wilcock
Ex Hex
Lookout! Records
Mary Timony's Ex Hex takes me back to the good ol' grunge-filled days of the 1990s, a time when Rolling Stone magazine treated "women in rock" like a novel concept. Singer/ guitarist Timony survived those days as the on-again, off-again singer for Helium, and eventually struck out on her own. Ex Hex is so lo-fi it sounds like it really could have been made in a garage. For the most part Timony rocks out with her trademark quirky vocals. "On the Floor" is a rocker with kicky girl-pop energy and a funk groove. "9x3," with its driving spy-punk bass line, leads, "Didn't you read what was scrawled on the girls' room wall?" Unfortunately, Ex Hex proves uneven at times, with dullards like "Silence" that feel like work to listen through. Timony gets points for effervecence and cuteness, but she's definitely an acquired taste. -- Kara Luger
Trans-Global Underground
Impossible Broadcasting
Trikola/Artemis
"What kind of music do you like?" Trans-Global Underground asks in the opening "7 -5." Don't fret. They answer themselves: all kinds of music. And they're not lying. The fusion concept has been attempted ad nauseum, usually to an annoying jam-band effect, but world music is in a good place with T-GU. Skillful programming and beats underscore Impossible Broadcasting throughout. "The Khaleegi Stomp" blends dance, sitar, gospel backing vocals and vintage shout-outs. Tuup shows up on several tracks, rasta-rapping on "Yellow and Black Taxi Cab," a ditty with dangerous underlying bass. Get downright disco with "Drinking in Gomorrah," which features a narrative that will almost make you forget the music. -- Kara Luger
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