Frankie J
Priceless
Sony
Sounds like: A Mexican-American Chris Brown
Short take: As generic as R&B gets
Frankie J's latest effort, Priceless, isn't a terrible album, but it's not a very good one, either. It's ... forgettable. And in a market flooded with talented R&B singers (Chris Brown, Ne-Yo, Usher, etc.), that's a mistake Frankie J can hardly afford. The first single, "That Girl," is catchy enough, but the remaining tracks read like bad knockoffs of past radio hits (especially "Is This What You Call Love?" a lame response to Rihanna's "Unfaithful"). Expect each release to be Clear Channel filler until somewhere down the line, you catch yourself thinking, "I think I kinda like this one!" Trust us, you really don't. Pete Freedman
The Crane Wife
The Decemberists
Capitol
Sounds like: The Decemberists, woken up
Short take: Timeless galleon blues
Finally, The Decemberists have gone really big, and it suits them. The Crane Wife is a musical artifact, operating outside of the zeitgeist. These songs could be sailor songs or war ballads; they could be from the 13th century or the 21st. Seemingly conceived on the open sea, in a ramshackle shanty on a pilfered lute, they're rich, yet rocking, layering the elements and orchestrating them with folk aplomb. Meloy's lyrics are still precious, literate in the annoying way, but they don't take over the songs anymore. Crane Wife is most focused on musicality, and that's its best move. Matt Martin
From the Soil to the Soul
Tommy Guerrero
Quannum Projects
Sounds like: A Latin, funkified Garage A Trois
Short take: Superb, diverse musicianship
Tommy Guerrero proves as versatile as blue jeans on this kitchen-sink, tossed-salad release. The jack-of-all-genres hits everything from dreamy acoustic riffs to jazzy, jammy keyboard melodies to hip-hop rock (with guest vocals by Lyrics Born). Grooving from track to track is like taking an international wine flight a hint of this, a subtle suggestion of that, and all bursting with flavor. The song "Tomorrow's Goodbye" is simply destined to end up on a movie soundtrack. What's even more respectable: Guerrero recorded this set mainly in his home studio. This collection of mostly instrumental songs will make anyone say, "Damn, I wish I could do that in my basement ..." Matthew Schniper