After existing for years on the indie rock fringe under the Sub Pop umbrella, singer-songwriter Rosie Thomas recently broke to Nettwerk. However, the material found on her fourth album, These Friends of Mine, is pure retro. Folk, that is, and not in the Jewel sense. Epitomizing the entire album is the mid-tempo "Why Waste More Time?," in which a banjo ebbs and flows while Thomas and friends Sufjan Stevens and Denison Witmer create an introspective mood for universal sorrow and, hopefully, self-redemption. Odds are, Thomas won't become an adult contemporary artist, nor will she change the indie rock scene, but you can be damn sure she'll affect those who give her material the time it deserves. John Benson
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LCD Soundsystem
Sound of Silver
DFA
Sounds like: A dance-floor mix tape for all occasions
Short take: Dancers (not rockers) wanted!
"Dance the night away" is the rallying cry behind LCD Soundsystem visionary James Murphy's recently released sophomore disc, which basically picks up where the act's 2005 Grammy-nominated self-titled effort left off. Granted, the nine tracks lack the element of surprise that made its antecedent so engaging, but there are plenty of twists and turns to keep listeners honest. "North American Scum" has a trashy '70s CBGB feel; the title track succeeds in sounding both spacey and trippy; and "Someone Great" is the song Beck's been trying to make for years. Where Murphy may trip up is in trying to make this into a historical dance-music lesson. Sound of Silver not gold, not bronze sounds about right. John Benson
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Jesse Malin
Glitter in the Gutter
Adeline
Sounds like: Music to bullshit to
Short take: Malin delivers a transition album
Three albums into his midlife crisis, ex-D Generation frontman-turned-singer-songwriter hero Jesse Malin finally gives his influences and idols their due. Glitter in the Gutter is an adult alternative disc that finds the New York City native cashing in his critical credibility. Bruce Springsteen gets down and battered on "Broken Radio," while Jakob Dylan sings backup on the album's best shit-kicker, "Black Haired Girl." Malin can't help himself with a faithful cover of the Replacements tune "Bastards of Young." There's no denying Malin has successfully left behind his punk past and justifiably earned our attention, but what eludes this engaging singer-songwriter is a drop-dead classic album that refuses to be turned off. John Benson