Red Carpet Massacre
Epic
Sounds like: Duran Duran gets Timbaland-ized
Short take: Still hungry like the wolf
The upside to Duran Duran's Red Carpet Massacre i> is that it's the album the band needed to make. However, it isn't filled with the music the group's fan base will necessarily want to hear. Instead of attempting to recreate '80s anthems as Simon LeBon and company have done for the past decade the outfit explores the urban sounds of its influences. That said, it also shouldn't come as any surprise that the disc's best two tracks are Timbaland-produced gems. This includes the low-key "Nite-Runner," which features Justin Timberlake, and the dance-floor ready "Skin Divers." After returning to relevancy in the '90s with the alt-rock sounding Wedding Album, Duran Duran incorporates an element of hip-hop to score more major points on the credibility meter. John Benson
Blackout
Jive
Sounds like: A Femmebot's Europop hit parade
Short take: Overproduced has-beens win!
Blackout is a really good record. And it's a good record because Britney Spears has almost no part in it. This album isn't the tabloid-hopping pop star's "comeback" album. For that, Spears would actually have to, y'know, come back. Instead, on Blackout, she is negated into oblivion by fierce electronics and stellar production. What's left is an oversexed automaton spitting club-ready lyrical backup to the real stars: the banging beats. Ignoring the lead single and obvious worst song, "Gimme More," Blackout is a collection of giddy hits and Timbaland-aping hip- swingers. Having accomplished everything she's ever going to musically, Britney, with her reputation in utter shambles, has no one to answer to. And, somehow, from the cusp of oblivion, she's made her best album yet. Matt Martin
The Black and White Album
Capitol
Sounds like: A one-trick Swedish pony
Short take: Another harmless case
As charming as The Hives' arrival in the States may have seemed, with its Swedish garage-rock sound on the 2002 album Veni Vidi Vicious, it was fairly obvious from the start that the act lacked songwriting strong enough to offer even a hint at longevity let alone fill an album. Even though 2004's Tyrannosaurus Hives confirmed this notion, the band's latest effort, The Black and White Album, does have a few nuggets of interest. The falsetto vocals, tight guitar lead and pseudo-heavy bass line makes "T.H.E.H.I.V.E.S." one of the band's more interesting digressions, while the raucous lead single "Tick Tick Boom" (which sounds like 2002 all over again) succeeds in creating a blood-pumping swagger. Still, the track's lyrics sum up The Hives' current position in rock: "Yeah! But it's too late!" John Benson
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