Scarlett Johansson Anywhere I Lay My Head
Atco
Sounds like: A swamp fairy returning home from a long circus stay
Short take: Johansson has immense musical talents ... around her
Scarlett Johansson, on her full-length singing debut, avoids being dismissed entirely by surrounding herself with unshakable legends Tom Waits (whose songs she's covering) and David Bowie (who can break your heart simply wailing harmonies), as well as credible musicians Nick Zinner of Yeah Yeah Yeahs and Dave Sitek of TV on the Radio. The one person whose name appears on the cover, Johansson, has a singing voice Sitek describes as like "Tinkerbell on cough syrup"; her baritone has limited range and almost no inflection. Waits' own voice isn't pretty, but he commands attention and conveys experience the very things Johansson does well on screen and doesn't do on this album. Sitek's production is the real headliner, painting a dreamy canvas on which the vocals are held at arm's length amid a palette of starry bells and ethereal keyboards. Kiernan Maletsky
Short take: One for the glass-half-full crowd
An album wiser, Mates of State the wife-husband team consisting of Kori Gardner (keyboards, vocals) and Jason Hammel (drums, vocals) return with their fifth and most cohesively tuneful CD to date, Re-Arrange Us. While influenced by '60s pop, the act finally offers a new-millennium gem filled with catchy hooks ("Now") and smart songwriting ("The Re-Arranger"). Songs such as "My Only Offer," with its piano-driven melody and bubbly vocals ("I always wanted to be the face in front of me"), contain an earnest optimism that eschews any hint of marital-bliss schmaltz. The twosome saves the best for last with the album-ending, mid-tempo daydream "Lullaby Haze," a memorable, broken-hearted love song. Granted, indie pop in 2008 contains plenty of familiar landmarks, but Mates of State have managed to reach the point where they can rearrange their own boundaries without missing a step. John Benson