Light in the darkness 

Welcome to 2011 at the movies — where the only thing certain about the best films was their uncertainty.

People, as a rule, don't particularly like ambiguity. A much-talked-about university study earlier this year suggested that "spoilers" are actually welcome to many people, which explains why average viewers get annoyed at pointy-headed movie critics embracing films where it's not instantly clear what's going on, how things are going to end, or even why a film ends the way it does.

So, clothed in the critical equivalent of riot gear, I embrace a Top 10 list awash in complex imagery, moral ambiguity and, most notably, plenty of potentially infuriating conclusions. The filmmakers of 2011 entertained us, sure, but they also challenged viewers as much as any year I can recall.

10. Meek's Cutoff: Director Kelly Reichardt and screenwriter Jonathan Raymond use the real-life trip of an Oregon-bound wagon train in 1845 to create something less historical drama than existential exploration. Michelle Williams is one of the few familiar faces in a film that immerses itself in the weight of small events with life-or-death consequences. If you're waiting to learn the destination, you haven't figured out that this story is all about the journey.

9. The Last Lions: No genre may be more predictable — and less likely to inspire greatness — than nature documentaries. But Dereck and Beverly Joubert turned their observation of Botswana's dwindling wild lion population into genuine, emotionally resonant storytelling steeped in the "characters" of the lion family they follow.

8. Drive: There's more than a touch of affection for 1980s crime-drama in Nicolas Winding Refn's slick thriller about a getaway car driver (Ryan Gosling) involved in a heist gone wrong. Albert Brooks' oily crime boss may be getting most of the awards-season love, but everything from its startling violence to its rich visual and sound texture carve out a distinctive place for Refn's creative vision.

7. The Tree of Life: No one is more surprised than this dyed-in-the-wool Terrence Malick skeptic to find his sprawling study of an American post-war childhood, with a cosmic interlude, punching through on a visceral level. The impressionistic narrative ultimately addresses nothing less than coming to terms with the distinction between our understanding of our fathers, and our understanding of God.

6. Like Crazy: Maybe you had to have been there — in a long-distance relationship that you couldn't imagine ending, but couldn't possibly last. Writer/director Drake Doremus captured those emotions brilliantly in the story of a couple (Anton Yelchin and Felicity Jones) separated by circumstance, evoking the way people can hold a relationship together through sheer force of will.

5. A Separation: The setup is deceptively simple: An Iranian husband (Peyman Maadi) and wife (Leila Hatami) divided by her desire to emigrate, and his refusal to leave his ailing father. The fallout from that division plays across gender, age and class as writer/director Asghar Farhadi packs a dozen films' worth of piercing observations about human relationships into one heartbreaking story.

4. We Need to Talk About Kevin: No single stretch of filmmaking this year may be more astonishing than the opening half-hour of Lynne Ramsay's adaptation of a novel about a mother (Tilda Swinton) trying to understand a violent act perpetrated by her son. It's psychological horror of a special sort, viewed entirely through the eyes of a woman who has condemned herself because she can't imagine that she couldn't have seen the horror coming.

3. Martha Marcy May Marlene: Yes, it's about a young woman (remarkable newcomer Elizabeth Olsen) emerging from a controlling cult. But it's more about the insinuating way writer/director Sean Durkin conveys the unsteady emotional state of someone whose family support system is so flimsy that she's basically trying to de-program herself. The character study emerges from filmmaking choices that leave viewers as unsettled as its identity-challenged heroine.

2. The Muppets: Not much ambiguity here, unless you count "Man or Muppet." But Jason Segel and Nicholas Stoller's mash note to Jim Henson's fuzzy creations worked both as nostalgic homage and on its own as effervescent musical-comedy entertainment. It's hard to dismiss something that left me with a goofy smile on my face, thinking about it for literally days afterward.

1. Certified Copy: Here we come to the most wonderfully confounding experience of the year: the story of a woman (Juliette Binoche) and a man (William Shimell) who may be meeting for the first time, or may be a 15-years-married couple, or who may be both of those things at different moments. Abbas Kiarostami risks shifting the narrative ground repeatedly, and winds up conveying the arc of a relationship across a single day. And like so much truly great art, it's OK if you don't grasp it all the first time around.


Film Details

The Muppets
Rated PG · 98 min. · 2011
Official Site: disney.go.com/muppets
Director: James Bobin
Writer: Jim Henson, Jason Segel and Nicholas Stroller
Producer: David Hoberman and Todd Lieberman
Cast: Amy Adams, Jason Segel, Chris Cooper, Kermit the Frog and Miss Piggy
The Tree of Life
Rated PG-13 · 138 min. · 2011
Official Site: www.foxsearchlight.com/thetreeoflife
Director: Terrence Malick
Writer: Terrence Malick
Producer: Dede Gardner, Sarah Green, Grant Hill and William Pohlad
Cast: Brad Pitt, Sean Penn, Joanna Going, Fiona Shaw, Jackson Hurst, Pell James, Crystal Mantecon, Jessica Chastain, Lisa Marie Newmyer and Jennifer Sipes
The Last Lions
Rated NR · 88 min. · 2011
Official Site: movies.nationalgeographic.com/movies/last-lions
Director: Dereck Joubert
Cast: Jeremy Irons
Meek's Cutoff
Rated PG · 104 min. · 2011
Official Site: meekscutoff.com
Director: Kelly Reichardt
Cast: Michelle Williams, Bruce Greenwood, Will Patton, Zoe Kazan, Paul Dano and Shirley Henderson
Rated R · 100 min. · 2011
Official Site: www.drive-movie.com
Director: Nicolas Winding Refn
Writer: Hossein Amini
Cast: Ryan Gosling, Carey Mulligan, Ron Perlman, Christina Hendricks and Bryan Cranston
The Certified Copy (Copie conforme)
Rated NR · 106 min. · 2011
Director: Abbas Kiarostami
Writer: Abbas Kiarostami
Producer: MK2 Diffusion
Cast: Juliette Binoche, William Shimell, Jean-Claude Carrière and Agathe Natanson
Martha Marcy May Marlene
Rated R · 120 min. · 2011
Official Site: www.foxsearchlight.com/marthamarcymaymarlene
Director: T. Sean Durkin
Writer: T. Sean Durkin
Cast: Elizabeth Olsen, John Hawkes, Sarah Paulson, Brady Corbet, Hugh Dancy, Louisa Krause, Maria Dizzia, Julia Garner and Christopher Abbott
Like Crazy
Rated PG-13 · 89 min. · 2011
Official Site: www.likecrazy.com
Director: Drake Doremus
Writer: Drake Doremus and Ben York Jones
Cast: Felicity Jones, Anton Yelchin, Chris Messina, Alex Kingston, Jennifer Lawrence, Finola Hughes, Charlie Bewley, Jamie Thomas King, Oliver Muirhead and Ben York Jones
The Muppets 3D
Rated NR · 2011
Director: James Bobin
Writer: Jim Henson, Jason Segel and Nicholas Stoller
Producer: Martin G. Baker, David Furnish and Jason Segel
Cast: Mila Kunis, Emily Blunt, Neil Patrick Harris, Selena Gomez, Zach Galifiankis, Amy Adams, Jason Segel, Ed Helms, Jack Black and Rashida Jones
A Separation (Jodaeiye Nader az Simin)
Rated PG-13 · 123 min. · 2011
Official Site: www.sonyclassics.com/aseparation
Director: Asghar Farhadi
Writer: Asghar Farhadi
Cast: Peyman Moaadi, Leila Hatami, Sareh Bayat, Shahab Hosseini and Sarina Farhadi
We Need to Talk About Kevin
Rated R · 110 min. · 2012
Official Site: www.oscilloscope.net/films/film/56/We-Need-To-Talk-About-Kevin
Director: Lynne Ramsay
Writer: Lynne Ramsay and Rory Kinnear
Cast: John C. Reilly, Tilda Swinton, Ezra Miller, Siobhan Fallon and Joseph Melendez


Now Playing

A Separation (Jodaeiye Nader az Simin), Drive, Like Crazy, Martha Marcy May Marlene, Meek's Cutoff, The Certified Copy (Copie conforme), The Last Lions, The Muppets, The Tree of Life, and We Need to Talk About Kevin are not showing in any theaters in the area.


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